Fall of Phaeton Composition

The Fall of Phaeton

Tina Diehl

FAR-211

May 10, 2012

My analysis is of the Fall of Phaeton, painted by Peter Paul Rubens sometime around 1605. This painting was created by Rubens while having been studying in Italy by 1600-1608. Rubens used some of the horses which were in a famous battle field painted simply by Leonardo da Vinci while models intended for his painting of The Fall of Phaeton. www.nga.gov/education/classroom/origin_myths/art_phaeton.shtm. 05/8/2012 The subject subject for The Fall of Phaeton came from a Traditional Myth that caught Rubens' imagination. The myth tells the story of Helios, the Sun God, and his mortal son Phaeton. Phaeton is teased by simply his colleagues for stating that his father was indeed Helios. To prove that he was being honest he asked his daddy to give him proof to demonstrate his peers that he was telling the truth. Helios promised him he could have whatever he asked for. Phaeton asked to operate a vehicle Helios' chariot that carried the sun throughout the sky. Helios had to retain his word, so he allowed Phaeton to drive the chariot realizing that Phaeton was missing the skill and power to do so. The end result was Phaeton's fall in the heavens and his ultimate loss of life. This fall is what is represented in Rubens' famous art work. The Fall of Phaeton is set in a multiple stage perspective using a diagonal thready perspective in an oval style. Rubens uses this combination of techniques to represent a large amount of action within the scene that this individual painted. When looking at the piece of art, one can notice each diagonal line by using the alignment of the subject matter within the painting. The atmospheric perspective with the depth of field that Rubens employed in this piece of art creates a extremely active and attention-grabbing piece of a muslim to look at. The white equine on the left side in the painting, as you are facing that, is a perfect sort of foreshortening. It appears as though the horses is jumping off from the painting towards you. Another sort of foreshortening is seen in the image of...

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